Camera

Showing all 14 results

GoPro Fusion

Experience total creative freedom with the most versatile 360 camera.
You get 3 cameras in one: unreal spherical footage, HERO-style video and photos, and a vlogging powerhouse that’s second to none. 360 capabilities deliver amazing panoramic photos and 360 Timelapse, too.
Featuring unbreakable stabilization, premium audio from 6 mics, and waterproof design, this camera maximizes WOW.

Insta360 ONE X

he Insta360 ONE X, a follow-up to the original Insta360 ONE, is Wi-Fi-enabled and capable of syncing to your iOS or Android device remotely, instead of having to be physically connected to your phone/tablet as is the case with the original. The Insta360 ONE X captures up to 5.7K resolution 360 video at 30 fps and 18MP photos. Two 200° lenses, accompanied by two built-in mics, capture your surroundings from all angles to a microSD card (sold separately).

With the images captured, you can transfer them over Wi-Fi to the companion 360 ONE app (downloadable for free for iOS/Android), and the app stitches them automatically into a single 360 image. From the app, you can further share the 360 image to social media including YouTube and Facebook, as well as live stream it. The full 360 image can be moved around at the swipe of your finger in the app so you can find the angle that you want to see, including behind where you stood when shooting the image. You can also stitch the images in the Insta360 Studio software (downloadable for free for Mac/Windows), where you can exercise greater control over the stitching and other factors.

Nikon D3

The Nikon D3x SLR Digital Camera (Body Only) provides incredibly high resolution images, with superb performance, and boasts an array of refinements that enhance performance and improve the user experience. Such features include, Super-high Resolution, the Nikon EXPEED image processor that powers the cameras high performance and its Scene Recognition System, refined viewfinder performance with a Virtual Horizon Indicator; a large LCD with a wide viewing angle and that can provide Live View Shooting, significantly increased battery life; and a wide range of firmware enhancements.

Panasonic AU-EVA1

Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic‘s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic’s acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.

Panasonic Lumix G | DC-GH5S

Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. Revolving around a 10.28MP Digital Live MOS sensor, DCI and UHD 4K video recording is possible at up to 60p and the large individual pixel size also affords impressive low-light performance to an extended ISO 204800, along with Dual Native ISO technology at ISO 400 and ISO 2500. Coupled with an updated Venus Engine, the sensor and processor combination also enables faster readout speeds along with 1.3x less rolling shutter distortion compared to previous GH-series cameras. Internal DCI 4K30p recording is available with 4:2:2 10-bit sampling and a full-size HDMI A connector can be used to simultaneously output to an optional external monitor or recorder. The sensor’s extended sensitivity range has also been used to promote working with V-Log L and Hybrid Log Gamma HDR modes for effectively increasing your dynamic range and affording more flexibility when color grading during post-production.

Sony Cyber-shot DSC-RX0 II Digital Camera ( 5x )

Sony has worked wonders with the Cyber-shot DSC-RX0 II, creating a premium, ultra-compact, and tough camera with an outstanding feature set for both stills and video. This form factor makes it ideal for travel and everyday life while the 15.3MP 1″ Exmor RS stacked CMOS sensor and BIONZ X image processor ensure your images are of the highest quality. Also, this model offers internal UHD 4K30 video recording, electronic image stabilization for movies, and a 1.5″ 230k-dot 180° tilting LCD that is perfect for selfies and vlogging. Beyond that, the RX0 II can handle adverse conditions with ease, being waterproof to 33′, dustproof, crushproof to 440 lb, and shockproof to 6.5′.

Sony RX0

HD type: Full HD, Maximum video resolution: 1920 x 1080 Pixels, Maximum frame rate: 50 fps. Image sensor type: CMOS, Total megapixels: []

Sony RX100 VI

Offering longer reach and improved performance, the Cyber-shot DSC-RX100 VI from Sony is a pocket-sized powerhouse characterized by an impressive lineup of stills and video capabilities. Distinguished in the series by its extended zoom, the RX100 VI sports a 24-200mm-equivalent ZEISS Vario-Sonnar T* lens covering wide-angle to telephoto focal lengths for greater shooting flexibility. Leveraging the most from the updated lens design is the 20.1MP 1″ Exmor RS CMOS sensor, along with an improved BIONZ X image processor, for fast shooting performance to 24 fps, high sensitivity to ISO 12800, and UHD 4K video recording. The sensor’s design also provides a 315-point hybrid AF system for quick and accurate focus performance and subject tracking in both stills and video modes. A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. Video performance has been upgraded through the incorporation of S-Log3 and HLG gamma settings, and High Frame Rate shooting allows you to record at up to 960 fps for slow-motion playback.

Sony VENICE 2 Digital Motion Picture Camera

Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sensor

The VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

New VENICE 2 Functions

  • 4K output with LUT applied
  • Improved 3D LUT processing to improve picture quality¿
  • EI changes directly applied to S-Log3 outputs
  • Ethernet connector position changed to camera assistant side¿
  • Lemo 2-pin 12V output connector¿
  • Internal scratch track microphone installed¿
  • Zoom to Fit Monitoring: Crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras; when connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses

Sensor

The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.

Full-Frame Sensor

In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.

Built-In ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in underwater housings.

Dual-Base ISO Sensor

The 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

PL Mount

The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame.

E-Mount

Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.

Sony VENICE 2 Digital Motion Picture Camera (6K)

Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sensor

The VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

New VENICE 2 Functions

  • 4K output with LUT applied
  • Improved 3D LUT processing to improve picture quality¿
  • EI changes directly applied to S-Log3 outputs
  • Ethernet connector position changed to camera assistant side¿
  • Lemo 2-pin 12V output connector¿
  • Internal scratch track microphone installed¿
  • Zoom to Fit Monitoring: Crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras; when connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses

Sensor

The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.

Full-Frame Sensor

In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.

Built-In ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in underwater housings.

Dual-Base ISO Sensor

The 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

PL Mount

The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame.

E-Mount

Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.

Sony VENICE 2 Digital Motion Picture Camera (6K)

Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sensor

The VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

New VENICE 2 Functions

  • 4K output with LUT applied
  • Improved 3D LUT processing to improve picture quality¿
  • EI changes directly applied to S-Log3 outputs
  • Ethernet connector position changed to camera assistant side¿
  • Lemo 2-pin 12V output connector¿
  • Internal scratch track microphone installed¿
  • Zoom to Fit Monitoring: Crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras; when connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses

Sensor

The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.

Full-Frame Sensor

In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.

Built-In ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in underwater housings.

Dual-Base ISO Sensor

The 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

PL Mount

The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame.

E-Mount

Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.

Sony ZV-1 Digital Camera With Vlogger Accessory Kit

A comprehensive starter bundle for the budding content creator, the Sony ZV-1 Digital Camera With Vlogger Accessory Kit pairs the sleek vlogging-intended digital camera with the Vlogger Accessory Kit, which includes the GP-VPT2BT Wireless Shooting Grip and a memory card.

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