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he AG Neovo 17″ LCD Monitor comes equipped with a hard glass front screen that is resistant to scratches and accidental damage. Together with its contemporary design, this makes it a good option for home or business users in need of style and durability.
This monitor offers a good resolution of 1280 x 1024, a crisp contrast ratio of 800:1, and a superior brightness of 300 cd/m2. Dual analog and digital inputs offer compatibility with a range of computers and DVRs. A pair of built-in speakers provides quality sound while a side-panel earphone jack offers the option of listening in private.
If you’re using a computer with an HDMI output as a video source, the AJA ROI-HDMI Mini Converter allows you to select a region of interest and scale the output to fit your working resolution. Having ROI in hardware makes it easy to broadcast part of your computer’s screen without the clutter of on-screen menus and the like. And because all the cropping and scaling is done using integrated hardware, video quality remains at a high standard. Embedded audio is passed through to the HDMI loop output and the SDI output. With the 3.5mm jack, you have the option of embedding analog stereo audio into the video output.
To adjust the ROI-HDMI, connect it via USB to a computer running AJA’s free Mini-Config application. Using Mini-Config, all relevant settings can be changed with the intuitive GUI. A worldwide power supply is included and locks to the ROI-HDMI’s power input for a secure connection.
Supporting 4K resolution on Super 35mm sized sensors, the Angenieux 16 to 40mm Optimo Style Zoom Lens with PL Mount is patterned after the Angenieux Optimo DP series of zoom lenses and features a 2.5x zoom range of 16 to 40mm. The lens features internal focus design for a constant length as focus is changed and exhibits no signs of breathing during focus pulls.
The focus ring rotates through 320° of rotation, providing room for over 20 precise witness marks. The lens is lightweight for its zoom range at only 4.2 pounds and features a 114mm front outside diameter, which fits many optional production matte boxes. The lens comes standard with an ARRI PL mount, but optional lens mounts are available. The lens incorporates industry standard zoom and focus gears for interfacing with optional zoom motors, follow focus units, and Angenieux optional ASU servo unit.
- Fast aperture of T2.8 with no ramping as you change focal length
- 320° focus rotation with over 20 precise focus witness marks and no breathing
- Optical design optimized for large format single sensor cameras
- Calibrated focus marks in feet or meters
- Standard PL mount lens; Panavision, Canon EF, or Nikon F mounts optional
- Expanded capabilities with optional Optimo 2x and 1.4x range extenders
Complementing the 16-40 T2.8 and 30-76 T2.8, the Angenieux 48-130mm T3 Optimo Style Zoom Lens offers a 2.7x zoom range inside a compact lens while maintaining a relatively fast aperture.
Optically, this lens natively covers Super 35 formats, up to 34.6mm diagonal, including the RED Helium 8K sensor. Its light weight ensures that it can be used in payload-conscious situations, including scenarios with gimbals, remote heads, and steadicams. Coatings applied to the glass elements reduce flare and ensure that the lens will color-match with other Optimo and Optimo Style lenses. Precise focus mechanisms inside the lens reduce breathing and space.
Mechanically, the native PL mount interfaces with digital cinema cameras that use a standard ARRI PL mount. Other mount options, such as Canon EF or Panavision PV are available separately. The focus, zoom, and iris rings all feature 0.8 MOD cinema-standard gearing for lens control accessories, and the focus ring has a long 320° throw with 20 witness marks for precise focus pulls. A 114mm front diameter ensures compatibility with standard matte boxes and filters.
Whether you’re shooting a feature film or a cinéma vérité documentary, cinematographers of all types can benefit from having a longer focal length lens that can be easily deployed and transport.
he Aputure Amaran AL-MX Bi-Color LED Mini Light has an adjustable color temperature output from 2800 to 6500K in five steps. It features a metal chassis, an integrated lithium polymer battery, and can fit in your pocket. In addition to the stepped color temperature adjustment, the light also features stepped dimming. Included with the fixture is a magnetically-attached diffusion filter.
The integrated Li-Po battery charges via a USB Type-C port, and can be charged at 5 VDC drawing 0.5, 1, or 2 amps. The fixture has a built-in on/off switch and LED indicators that show you the charge status of the internal battery. The fixture also has a “boost mode” which increases the light’s output by 30% for 60 seconds at a time.
The Basic Set for Sony FS7M2/ FX9 from ARRI offers lightweight, handheld and tripod–compatible support for your PXW-FSM2 or PXW-FX9 camera. This set includes a VCT-compatible baseplate with a comfortable shoulder pad, a two-piece top plate that enables the use of your camera’s original Sony handle, an LAS-1 lens adapter support, a 15mm LWS rod bracket, and a 9″ pair of lightweight 15mm rods.
ARRI Top Mounting Plate for Sony FS7II & FX9 Cameras
Designed for the original Sony handle, this Top Mounting Plate from ARRI is compatible with Sony FS7II and FX9 cameras. The plate features multiple 3/8″-16 and RMB-3 interfaces for mounting accessories and rods. The middle part of the plate is detachable, enabling you to remove one side of the plate when not required.
ARRI Mounting Plate with 15mm Rod Support for Sony FS7II & FX9 Cameras
Carry your camera rig comfortably on your shoulder with this Mounting Plate with 15mm Rod Support from ARRI. The plate is compatible with Sony FS7II and FX9 cameras and VCT-style tripod adapters such as the QRP-1. The system supports a pair of 15mm LWS rods and features an adjustable shoulder pad.
ARRI LAS-1 Lens Adapter Support
The LAS-1 Lens Adapter Support from ARRI provides sturdy support for many third-party, pillar-style lens mount adapters. The LAS-1 Support is compatible with PL, EF, and other lens adapters, as well as certain optical adapters like the Metabones Speed Boosters. The two pieces of this support are connected via a thumbscrew coupling, enabling quick removal from your baseplate when desired.
ARRI 15mm Lightweight Support Rods (Pair, 9″)
This pair of 9″ ARRI Lightweight Support Rods feature lightweight stainless steel construction and are designed to reduce your rig’s weight. Use them with any 15mm-based accessory or bridgeplate.
ARRI 15mm LWS Rod Console
The ARRI 15mm LWS Rod Console adds 15mm rod support to your camera rig. This component can be mounted to several ARRI support accessories such as baseplates, top plates and cheese plates. The console can be useful when you want to add extra support for long rods when using a heavy lens or accessory, or to provide rod support in a second location on your camera rig.
The Atomos Connect 4K provides HDMI to USB conversion for live streaming applications. It allows you to run an HDMI signal to your Mac or Windows computer’s USB port for use in streaming applications such as OBS, Twitch, and YouTube Live. Connect 4K accepts up to a UHD 4K30 HDMI signal and outputs up to a 1080p60 signal over USB. You can connect an HDMI camera to use as a webcam, gaming systems for live streaming gameplay, monitor signals, and signals from various other devices. When used with the Atomos Shogun 7 monitor, which is capable of recording and switching four 1080p60 signals, Connect 4K allows you to send the switched feed to your computer for streaming.
Connect 4K automatically converts your HDMI input to the universal USB Video Class standard (UVC) for compatibility with popular CDN platforms that supports UVC, such as Skype, MS Teams, Zoom, Twitch, YouTube, and many more. It can also be used with professional streaming applications such as OBS, StreamLabs OBS, Wirecast, and X-Split for enhanced multimedia streaming. The pocket-size design of Connect 4K makes it a handy and very easy-to-use device. Connect 4K is powered from your computer’s USB port and requires no external power supply. It supports up to 49′ HDMI AWG26 certified cables.
The Blackmagic Design SDI to HDMI 6G Mini Converter converts SDI in resolutions up to DCI 4K (4096 x 2160) at 24p and UHD 4K (3840 x 2160) up to 30p to HDMI. This is useful for connecting consumer devices that require HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post-production, and professional AV applications.
Using 4K HDMI and 6G-SDI technologies, the Mini Converter automatically detects the input video format and instantly changes between SD, HD, and UHD/DCI 4K formats. Featuring two SDI inputs, and both an SDI and HDMI output, the unit will automatically switch from the main SDI input to the alternate input if the main input fails. Audio is de-embedded from the SDI input and available in the HDMI output as well as the AES/EBU or analog audio output.
Perform footage acquisition from digital or analog sources straight into your NLE of choice with the Blackmagic Design UltraStudio HD Mini. SDI and analog video inputs can import video from modern or legacy professional video equipment. Using the versatile Thunderbolt 3 interface, the UltraStudio HD Mini can send and receive SD and HD video up to 1080p at 60 fps with up to 16 channels of embedded audio. Available outputs include dual SDI for fill and key, as well as an HDMI output for driving consumer displays. With the built-in RS-422 connection, the UltraStudio HD Mini can also interface with professional broadcast decks.
HD Down Conversion: Real time 10-bit hardware down conversion on SDI B output, Composite and S-Video when working in HD video formats on playback. Selectable between letterbox, anamorphic 16:9 and center cut 4:3 styles.
Real-Time Effects Support
Premiere Pro CC Mercury Playback Engine effects
Avid Media Composer internal effects
Thunderbolt 3 Connectivity
The UltraStudio Monitor 3G Playback Device from Blackmagic Design allows you to monitor your HDMI or 3G-SDI video directly via your computer’s Thunderbolt 3 output port. Supporting resolutions up to 1080p60, this compact device lets you edit without a delay using a large-screen TV, projector, or monitor with an SDI (BNC) or HDMI input.
The Wave Panel brings together Blackmagic Design’s professional color-correction software with Tangent Devices’ video control panel to form a seamless post-production interface. The Wave Panel allows you to go above and beyond simple mouse and keyboard functionality to provide a variety of switches, knobs, buttons and trackballs that allow for precise and intuitive control over the software’s color grading and effects. This compact, affordable solution is perfect for small post-production suites and on-location grading.
The Fisheye produces an extraordinary degree of barrel distortion. Adding the lens to the camcorder’s Zoom Lens results in a 130° horizontal angle of view.
Chrosziel unleashed a DP’s inner Meccano Erector Set at Cinec.
The Cage Project by Chrosziel is a prototype modular cage for cameras like the Canon C300 / 500 and should fit most DSLRs. It comes in a case with color-coded components, follow-focus, handle, modular bars, rods, rosettes, handgrips, and tools.
Lightweight, robust, and ready for production, Chrosziel‘s MB 450R2 Matte Box can complement a wide range of cameras, from smaller camcorders or mirrorless cameras, up to larger cinema cameras and ENG camcorders with an outer lens diameter of up to 114mm (lenses with a diameter smaller than 110mm may require additional accessories for full compatibility). With the included top flag and 16:9 mask, glare from outside the frame can be effectively controlled for improved contrast and reduced ghosting in the recorded image. Further control can be achieved through the separately available side and bottom flags.
Lightweight, robust, and ready for production, Chrosziel‘s MB 450R2 Matte Box can complement a wide range of cameras, from smaller camcorders or mirrorless cameras, up to larger cinema cameras and ENG camcorders with an outer lens diameter of up to 114mm (lenses with a diameter smaller than 110mm may require additional accessories for full compatibility). With the included top flag and 16:9 mask, glare from outside the frame can be effectively controlled for improved contrast and reduced ghosting in the recorded image. Further control can be achieved through separately available side and bottom flags.
The completely modular Cine.1 Matte Box from Chrosziel is built to be strong yet lightweight to fit into your handheld or studio camera rig. Having a matte box on the front of your lens allows you more flexilbility in lighting your scene by blocking light sources just out of frame from directly entering the lens, which can cause the lens to flare, and introduce image artifacts. This particular iteration of the Cine.1 series can be mounted directly on the lens with the integrated clamp, and is configured with two filter stages, however, it can be configured to hold either one or three filters with addition or removal of filter stages.
Included Top Flag
The Chrosziel Compact Zoom Control Kit for Fujinon MK Lenses offered by Fujinon is a low-profile integrated zoom control designed for Fujinon MK zoom lenses and Sony FS5 and FS7 cameras.
When secured and wired properly, the ENG-style servo will control the MK lens’s zoom using the rocker on the camera’s handgrip. This conveniently allows the operator to control focus and zoom simultaneously in run-and-gun situations. All LANC, power, and USB cables for connecting, powering, and updating the servo unit are included. Additionally, the LANC connectors are compatible with other LANC devices for controlling the zoom through alternate equipment.
A hard-shell waterproof case with custom-cut foam is included to store and transport all the kit components, as well as up to two separately available Fujinon MK zoom lenses.
The Chrosziel StudioRig Cine is a professional dual-sided follow focus for precise focus actuation on high-end cinema lenses. As a dual-sided follow focus, with a separately available second handwheel, this StudioRig Cine can be used to actuate focus from either side of the lens. The rod clamp secures to 15mm rods that are spaced in accordance with the 15mm LWS standard.
The brown Cinesaddle Marsupial Cinesaddle Camera Mount supports ENG-sized cameras on a soft adaptable water-resistant canvas saddle. You can think of the Cinesaddle as a pillow to rest your camera on while operating it when not mounted on a tripod. The Cinesaddle is shaped to cradle your camera and works as a mounting platform that conforms to oddly shaped terrain, although you can use it on flat surfaces as well. The Cinesaddle is not a stabilizer; however, it will absorb vibrations, making it well suited for moving platforms such as cars.
The Marsupial Cinesaddle features a zippered internal storage pouch for small cameras or accessories. It also includes a semi-detachable shoulder strap, with a quick release buckle on one end. Three open pockets allow you to retrieve small items. Included with the Cinesaddle is a mounting kit that can be used to secure your camera to a support or moving object.
The 8021 is an extremely versatile HD/SD tool; the unit accepts dual rate HD/SD SMPTE-292/259M-C digital inputs and can up or down-convert incoming signals and re-aspect to 4×3 or 16×9. In addition, the 8021 can cross convert HD signals between 1080 and 720. Both digital and analog HD/SD and XGA outputs are available. The 8021 can rate convert 24 frame video to 60 frames and move interlace to progressive and back. The unit also has user-configurable reticle overlays. The 8021 has full 10-bit video processing with 12-bit analog encoding. The 8021 allows you to pick your monitor or scope, HD or SD (analog or digital) or XGA analog, and view HD-SDI or SDI. User setups are by external switch controls or a serial PC interface. The unit can be controlled remotely for monitoring wall applications.